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“I observe my art environment with immediacy—being present and spontaneous are the most important aspects of my practice. I want to transcend “everyday” life, celebrating the energy, beauty and the unknown. Which means always changing it up.”

Dirty Hands

About

When I paint, I pour my whole heart into it. I put my fears of failure and goals of success aside and access an unguarded stream of consciousness— working at something that has no known beginning or end. I might make up a story in my head as I go along, or grab some lyrics from a song that seems particularly poetic, or just take a walk in my mind‘s eye on a path I have trodden. I don’t paint the same painting twice—each painting has its own origins. 

 

I’m an abstract painter; it’s inherently a process of not-knowing, and being comfortable with that. The work is in a constant state of flux, undergoing many evolutions so that the work becomes a surprise even to myself. I want to mine some visceral essence in each individual piece, creating an opportunity for the viewer to have a personal experience—something even more interesting than what I intended. That keeps the work fresh and alive.

 

I would love to say that painting is always a joyous activity, but I find it very hard work. There are moments of ecstasy and agony, of tension and relief. I cannot always control the outcome of my efforts but the paintings themselves become proof of time passing; proof of my existence.

For nearly two decades, visual artist Katy Kuhn has cultivated a distinct artistic voice characterized by dynamic abstraction, intuitive mark-making and experimentation. A Bay Area native working from her studio at the ICB in Sausalito, Kuhn balances spontaneity with deliberate technique, creating works that invite viewers into emotionally resonant visual experiences. Her paintings feature bold gestural movements, layered surfaces, and a sophisticated color sensibility that suggests both tension and harmony.

Represented by The Studio Shop Gallery in Burlingame, CA, Kuhn has exhibited in solo, group and juried exhibits throughout the U.S. Her artistic growth continues through participation in distinguished international residency programs, including Arquetopia in Oaxaca, Mexico and Chateau Orquevaux in France, where immersive cultural experiences have challenged and enriched her creative practice. Her work can be found in numerous collections in the Bay Area, across the United States, and internationally. 

Education

Bachelors of Fine Art, UC Berkeley (1981)

Residencies

May 2026: Chateau d'Orquevaux, France

October 2023: Chateau d'Orquevaux, France

October 2021: Arquetopia International, Oaxaca

Juries

O'Hanlon Center for the Arts, juror: "Something About Lines"

Mill Valley Milleys Awards juror 

Mill Valley Fall Art Festival juror 

Publications

Art & Antiques Magazine (Nov/Dec 2023)

"Artists of the Bay Area" vol.2, (2022) published by Jen Tough 

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